Poems as Maps II

Tall Grass

This winter, we present a second special series on poems that can be read as maps. Read the introduction to this series.

Color photograph of slender, twisty, bare trees against blue sky, with snowy ground.
Minneapolis, 2024. [G.E. Patterson]

I am 46 years old. What

could that possibly mean?

I sit in a 107-year-old house

listening to a 70-year-old tree

drop one green-frilled acorn

after another like rim shots

on the roof. No more children

for me, but my magic blood

circulates in near-silence

like a hidden river. I melt

into my chair. I meet the air

with my every open surface,

autonomically drawing it in

to feed the red flow. Where

I once felt a coiled no, I now

feel gilled, a creature who is

learning to swim with purpose.

And thank heavens for lack

of heaven. And thank this oak

for this oak. And tear down

every kingdom so that we

might enter the free school

of the forest, the free school

of the ocean, the free school

of the meadow, which writhes

upon antenna and whisker

and the stirring of tall grass.

I am a tree and a river and

a tall, tall grass. I am 46.

About the Series: Poems as Maps

Poems as Maps II, curated by G.E. Patterson, features work by Joshua Bennett, Jos Charles, Ernestine Hayes, Tanya Larkin, Aditi Machado, Chris Martin, Na Mee, Naomi Shihab Nye, Roger Reeves, Fred Schmalz, Prageeta Sharma, and Moheb Soliman.

Poems as Maps I, curated by Taiyon J. Coleman, includes work by Elizabeth Alexander, Bao Phi, Joanne Diaz, Nikky Finney, Sean Hill, Andrea Jenkins, Douglas Kearney, J. Drew Lanham, Claudia Rankine, Barbara Jane Reyes, Sun Yung Shin, Evie Shockley, and Ocean Vuong.

Cite
Chris Martin, “Tall Grass,” Places Journal, January 2024. Accessed 03 Jun 2026. <>

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