Cities, Signs, and Pandemics (BA Syllabus Fall 2021)
This is the reading list for an undergrad humanities-oriented course on Cities, Signs, and Pandemics. Taught by Matt Soar in the Department of Communication Studies, Concordia University, in Fall 2021. Based on his earlier course Signs & Public Lettering.
From the syllabus intro: This edition of the studies course COMS324 Communication Analysis of Environment will have a unique focus on the visual iconography of cities under the strain of global health emergencies.
Urban surfaces such as store fronts, walls, streets, sidewalks, rooftops, and monuments are littered with logos, words, letters, and numbers. Public lettering, civic signs, and commercial signs vie for our attention, comprehension, and action: street names, apartment numbers, store and restaurant signs, traffic directions, parking information, ‘wayfinding’ systems for subway systems and malls, but also building names, foundation stones, epitaphs on memorials and grave markers, drain covers, mailboxes, and so forth.
By drawing on the foundational work already done in this area, and the instructor’s own research and research-creation eg the Logo Cities symposium, The Montréal Signs Project, the documentary Les Enseignistes de Montréal, this course offers a timely investigation into the extra layer (palimpsest) of temporary signs and lettering made necessary by global health emergencies such as COVID-19.
We’ll begin by getting to know and appreciate ‘lettered cities’, especially Tiohtiá:ke / Montréal, by learning about the historical development of signs and public lettering in the West, as the best way to understand the present; developing our observational and analytical skills; familiarizing ourselves with, and using, the specialized vocabularies of design, craft and manufacture; appreciating the relationships between purpose, audience, materials, colours, letters, type, location, visibility, illumination, and ‘voice’; accurately applying stylistic terms such as modern, retro, and kitsch.
We will then critically analyze the lettered city in extraordinary times such as the COVID pandemic: the design, placement, and meanings of official notices intended to re-shape public behaviour (social distancing, masks, hand-washing, curfews), and to direct human and vehicular traffic (testing stations, vaccination centres, hospital ERs). We will also examine dramatic representations of these phenomena in movies and TV series about crime, pandemics and related disasters, eg Children of Men, Contagion, District 9, 28 Days Later, World War Z, Chernobyl, but also parodies such as Angie Tribeca, Touch of Cloth.
We will encounter historical precedents (going back to Roman times) and read contemporary analyses, explore the origins and purposes of these taken-for-granted forms of communication, potentially undertake a visual and cartographic survey of ‘urban epigraphy’ in our home cities, and discuss unsanctioned responses to official public lettering.
NB This is a studies course, but students will also have the opportunity to propose research-creation (production) projects for their final assignment. With its emphasis on under-explored aspects of signs and public lettering in urban culture, this course expressly excludes graffiti, tagging, ads and billboards. Registration is open to all eligible undergrads in the Department of Communication Studies.
Keywords: signs, public lettering, graphic design, typography, fonts, visual culture, urban culture, material culture, communication, cultural and media studies, urban history, urban geography, mapping, emergency preparedness.
City Reading: Written words and public spaces in Antebellum New York
Columbia University Press
Helvetica
'Helvetica is a feature-length documentary about typography, graphic design and global visual culture. It looks at the proliferation of one typeface as part of a larger conversation about the way type affects our lives.' (The Quebéc premiere of Helvetica was held at the Logo Cities Symposium in 2007.)
Birth of a Designation (1965, Can., Colour. 16mm, 20 mins.)
Documentary film from 1965 on the selection process, via creative pitch, for a new Hydro Québec graphic identity.
The Arcades Project [excerpts]
The Blackwell City Reader
Blackwell
Signs of Discrimination (1965-1968)
Designing Disability: Symbols, space, and society (2018).
Bloomsbury
Notes on Design Activism
Website
Ever wondered what that yellow H sign means?
British Broadcasting Corporation (BBC) [website]
'Have you ever seen large yellow signs on the road with a big 'H' marked on them? Well, if you wondered what they mean, we have the answer.'
AIM (Access in the Making) Lab
AIM Lab [website]
Dr. Arseli Dokumaci is Canada Research Chair in Critical Disability Studies & Media Technologies (Department of Communication Studies, Concordia University)
How Do We See COVID-19? Visual Iconographies of Racial Contagion
American Literature (2020) 92 (4): 707–722.
