Poems as Maps II

Feeling Transcripts from the Outpost

This winter, we present a second special series on poems that can be read as maps. Read the introduction to this series.

Color photograph showing graffiti in orange spraypaint reading "Kill the Rich."
Cincinnati, Ohio, 2023. [Aditi Machado]

To step into it, time being

funnily sequenced or accruing


laterally: a botanic tyranny

is moss, is how listening


dithers at the drum and I

follow it out to the fence.


There is a system to regress

in November. What they elect,


I supplant in private

and orphic degradation.


The garden affronts luxury

as it does moderation.


I burrow for radicals

against a less provident future.


For matter is in discord

like the forked philosophy


of a leafy bract subtending

the last measled bloom


of which I am regent

and which I uphold


against everything’s

nothing. No, not


just that but the site’s sublime

demolition.

 

It’s like I have a second mouth

to degust in sedition.

Author's Note

The phrase “against a less provident future” is borrowed from the “November” chapter in Merrill C. Gilfillan’s Moods of the Ohio Moons: An Outdoorsman’s Almanac (Kent, OH: Kent State University Press, 1991).

About the Series: Poems as Maps

Poems as Maps II, curated by G.E. Patterson, features work by Joshua Bennett, Jos Charles, Ernestine Hayes, Tanya Larkin, Aditi Machado, Chris Martin, Na Mee, Naomi Shihab Nye, Roger Reeves, Fred Schmalz, Prageeta Sharma, and Moheb Soliman.

Poems as Maps I, curated by Taiyon J. Coleman, includes work by Elizabeth Alexander, Bao Phi, Joanne Diaz, Nikky Finney, Sean Hill, Andrea Jenkins, Douglas Kearney, J. Drew Lanham, Claudia Rankine, Barbara Jane Reyes, Sun Yung Shin, Evie Shockley, and Ocean Vuong.

Cite
Aditi Machado, “Feeling Transcripts from the Outpost,” Places Journal, January 2024. Accessed 03 Jun 2026. <>

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